Tuesday 20 January 2009

Review of Taras Bulba by Nikolai Gogol

Nikolai Golgol’s historical novel tells the story of a late sixteenth century Zaporozhian Cossack commander and his two sons. It is set in what is now Eastern Ukraine, an area that was then on the fringes of the Polish Empire. Taras Bulba, with the help of his sons, instigates a revolt against the Poles. Part of the old man’s motivation is to ensure the survival of a warrior tradition in his people, and, more particularly, his sons. The narrative is drenched in the blood that flows from this decision. The prose has a simple, mythic quality that lifts it above the specific time and place of the narrative. This short, but epic, story gives us an insight into the mythology of Russia.

We see the consequences of Taras Bulba’s obsession with his warrior’s craft, when, on a rare visit to his home, his wife begs to be allowed some more time with her sons. Bulba disregards her wishes, and the three set out on their campaign, leaving her weeping in their wake. In this scene, Gogol brilliantly encapsulates the irreconcilable tensions between a settled family life and his protagonist’s desire for military glory. The Cossack Brotherhood is an all-male society, unmoderated by the influence of women. Later, Bulba and his sons spend time in an extraordinary warrior encampment, where itinerant Cossacks can meet and swap stories of their latest campaigns. The battle scenes in Taras Bulba do not stint from showing the terrible savagery of the fighting. The cost of the Cossacks’ pride is a staggeringly high death toll for the Brotherhood.

A major theme of the book is the need to choose between love for a woman and loyalty to one’s comrades. One of Bulba’s sons falls in love with a Polish noblewoman and changes sides. Bulba’s merciless sense of honour compels him to take revenge on his own son.

The book also gives an insight into the marginalised lives of Eastern European Jews. Despite their vital role in commerce, they are spurned and persecuted by the Cossacks. Yet it is Yenkel, a Jewish trader, who leads Bulba, at great risk, to visit his second son, who has been captured by the Polish enemy.

I would recommend this book to anyone. The grand themes of the narrative transcend its historical and cultural setting. For those interested in the origins of the Russian character, it holds great riches.

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